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Textiles and Sarees of India: States, Weaves and Crafts

Exam notes on the textiles and sarees of India: famous handloom sarees state by state, the four silks, dyeing and printing crafts, and the embroideries.

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Textiles and Sarees of India: States, Weaves and Crafts — GK24 title card
Textiles and Sarees of India: States, Weaves and Crafts — GK24 title card

India weaves more kinds of cloth than any other country, and almost every examination question from this topic has the same shape: a saree or a craft is named and its state must be supplied, or a technique is named and the town that practises it must be supplied. The names repeat from paper to paper, so the surest way to study the topic is as a set of pairs. This note arranges the handloom sarees state by state, then the four silks, the weaving, dyeing and printing techniques, the embroideries of the states, and closes with khadi, handloom and geographical indication protection.

Famous sarees and their homes

Saree or fabricStateCentre and mark of identity
BanarasiUttar PradeshVaranasi; heavy silk brocade with gold and silver zari work
Kanjeevaram or KanchipuramTamil NaduKanchipuram; thick mulberry silk, body and border woven separately and joined
PatolaGujaratPatan; double ikat, the pattern identical on both faces
BandhaniGujarat and RajasthanKutch, Jamnagar, Jodhpur; tie and dye dots
PaithaniMaharashtraPaithan and Yeola; peacock and lotus motifs on an oblique square pallu
BaluchariWest BengalBishnupur; scenes from the epics woven into the pallu
JamdaniWest BengalFine muslin with motifs added on the loom by hand
SambalpuriOdishaBandha or tie dyed yarn ikat; shankha, chakra and phula motifs
Pochampally ikatTelanganaBhoodan Pochampally; geometric ikat, called the silk city weave
Muga and Mekhela ChadorAssamSualkuchi; natural golden silk found nowhere else
KasavuKeralaBalaramapuram and Chendamangalam; off white cotton with a gold border
Chanderi and MaheshwariMadhya PradeshChanderi and Maheshwar; light cotton silk with a glossy transparent body
Kota DoriaRajasthanKaithoon near Kota; square check mesh of cotton and silk, very light
Mysore silk and IlkalKarnatakaMysuru and Ilkal; crepe silk with zari, and the red Ilkal border
PashminaJammu and KashmirSrinagar; wool of the Changthangi goat of Ladakh, woven as the Kani shawl

The four silks of India

India is the only country that rears all four commercial varieties of silk, and it is the second largest producer of silk in the world after China. Mulberry silk, the finest and the bulk of production, comes from the worm Bombyx mori and is reared mainly in Karnataka, Andhra Pradesh, Tamil Nadu, West Bengal and Jammu and Kashmir. Tasar silk, coarser and copper coloured, is a forest silk of Jharkhand, Chhattisgarh and Odisha. Eri silk is the warm open ended silk of Assam, called ahimsa silk because the moth leaves the cocoon before it is reeled. Muga silk, golden and glossy, comes from the Assam silkworm and is produced only in the Brahmaputra valley. The Central Silk Board, set up in 1949 and placed under the Ministry of Textiles, develops the industry from its headquarters at Bengaluru.

Weaving, dyeing and printing techniques

  • Ikat or bandha: the yarn is tied and dyed before weaving, so the pattern has a feathered edge. Patola of Patan is double ikat; Pochampally and Sambalpuri are the other great ikat weaves.
  • Brocade or zari work: gold and silver thread woven into the ground, the identity of Banaras, and of the Baluchari and Paithani pallu.
  • Bandhani: cloth tied in thousands of tiny knots and dyed, so the knots stay undyed as dots; a Gujarat and Rajasthan craft.
  • Kalamkari: cloth painted or block printed with a pen like kalam and vegetable dyes, at Srikalahasti and Machilipatnam in Andhra Pradesh.
  • Block printing: Sanganer and Bagru in Rajasthan, Bagh in Madhya Pradesh and Ajrakh in Kutch, each with its own palette of madder, indigo and iron black.
  • Batik: wax resist dyeing, practised in Madhya Pradesh and West Bengal.

Embroideries of the states

EmbroideryStateWhat marks it
PhulkariPunjabDarn stitch flower work in bright silk thread on khaddar
ChikankariUttar PradeshWhite shadow work of Lucknow on fine muslin
ZardoziUttar PradeshMetal thread, sequins and stones, of Lucknow and Bhopal
KanthaWest BengalRunning stitch quilting of old cloth, with folk motifs
KasutiKarnatakaCounted thread work with no knots at the back
SujaniBiharStory telling quilt embroidery of Bhusura in Muzaffarpur
KashidaJammu and KashmirChain and satin stitch on shawls, with chinar and almond motifs
TodaTamil NaduRed and black geometric work of the Nilgiri Toda people

Khadi, handloom and GI protection

Khadi, hand spun and hand woven cloth, became the cloth of the freedom movement, and the Khadi and Village Industries Commission was created by an Act of Parliament in 1956 and began work in 1957 with its head office at Mumbai. National Handloom Day is observed on 7 August, the date on which the Swadeshi Movement was launched at the Calcutta Town Hall in 1905, and the first observance was held at Chennai in 2015. Handloom and handicraft products are protected as geographical indications under the Geographical Indications of Goods Act of 1999: Pochampally Ikat was among the earliest textile goods registered, and Banarasi brocade, Kanchipuram silk, Patan Patola, Chanderi, Kota Doria, Sambalpuri bandha and Assam Muga silk all carry the tag. A GI tells the buyer where the cloth was made, and is granted for ten years at a time with renewal.

Exam Point of View

Papers set this topic as matching pairs. The first type names a saree and asks for the state: Patola with Gujarat, Paithani with Maharashtra, Baluchari and Jamdani with West Bengal, Pochampally with Telangana, Chanderi with Madhya Pradesh. The second names an embroidery and asks for its home, where Phulkari, Chikankari, Kantha, Kasuti and Sujani are the five set most often. The third asks for a technique or a place: which saree is double ikat, where Kalamkari is painted, which silk is golden, which town weaves Muga. The standard traps are placing Kanchipuram in Kerala, confusing Chanderi with Chikankari, treating Bandhani as a weave rather than a tie and dye craft, and swapping Pochampally in Telangana with Sambalpuri in Odisha.

Important Facts

Double ikat sareePatola of Patan, Gujarat
Saree with epic scenes on the palluBaluchari, Bishnupur, West Bengal
Golden silkMuga, Assam; woven at Sualkuchi
Ahimsa silkEri, Assam, reeled after the moth leaves the cocoon
Central Silk BoardSet up 1949, headquarters Bengaluru, Ministry of Textiles
Kalamkari centresSrikalahasti and Machilipatnam, Andhra Pradesh
Kota DoriaKaithoon near Kota, Rajasthan
National Handloom Day7 August, marking the Swadeshi Movement of 1905
Khadi and Village Industries CommissionCreated by Act of 1956, began 1957, head office Mumbai
GI lawGeographical Indications of Goods Act, 1999
PashminaWool of the Changthangi goat of Ladakh, woven in Srinagar
Light cotton silk sarees of Madhya PradeshChanderi and Maheshwari

Practice MCQs on this topic

Q1.Art & CultureMedium

The Patola saree, woven in the double ikat technique, comes from which state?

  1. A.Gujarat
  2. B.Odisha
  3. C.Telangana
  4. D.Maharashtra
Show answer

Correct answer: A. Gujarat

Explanation

The correct answer is A, Gujarat. Patola sarees are woven at Patan in Gujarat, where both the warp and the weft yarns are tied and dyed before weaving. Because both sets of yarn carry the design, the finished pattern reads the same on the front and the back of the cloth, which is what makes it a double ikat. Option B is wrong because Odisha weaves the Sambalpuri bandha saree, an ikat in which only one set of yarn is usually resist dyed. Option C is wrong because Telangana is the home of Pochampally ikat, known for its geometric patterns. Option D is wrong because Maharashtra weaves the Paithani saree, a brocade with peacock and lotus motifs on the pallu and no ikat work at all. Remember the pair Patan with Patola and the word double.

Q2.Art & CultureMedium

Baluchari sarees, whose pallu carries woven scenes from the epics, are a product of which place?

  1. A.Kanchipuram in Tamil Nadu
  2. B.Bishnupur in West Bengal
  3. C.Chanderi in Madhya Pradesh
  4. D.Paithan in Maharashtra
Show answer

Correct answer: B. Bishnupur in West Bengal

Explanation

The correct answer is B, Bishnupur in West Bengal. Baluchari weaving takes its name from the village of Baluchar in Murshidabad and moved to Bishnupur in the Bankura district, which is its centre today. Its mark of identity is the pallu, where episodes from the Ramayana and the Mahabharata, and scenes of court life, are woven in silk. Option A is wrong because Kanchipuram weaves thick mulberry silk sarees with contrasting borders, not narrative pallus. Option C is wrong because Chanderi in Madhya Pradesh is known for light, glossy and almost transparent cotton silk sarees. Option D is wrong because Paithan in Maharashtra is the home of the Paithani, whose pallu carries peacock and lotus motifs rather than stories. The pair to hold is Bishnupur with Baluchari.

Q3.Art & CultureEasy

Muga, the natural golden silk, is produced in which state of India?

  1. A.Karnataka
  2. B.Jharkhand
  3. C.Assam
  4. D.West Bengal
Show answer

Correct answer: C. Assam

Explanation

The correct answer is C, Assam. Muga is reared from the Assam silkworm in the Brahmaputra valley and is the only naturally golden silk in the world, used for the mekhela chador and for sarees woven at Sualkuchi near Guwahati. Option A is wrong because Karnataka is the leading producer of mulberry silk, the white and fine variety that makes up the bulk of Indian silk, and Mysuru is famous for its crepe silk sarees. Option B is wrong because Jharkhand, with Chhattisgarh and Odisha, produces tasar, the coarser copper coloured forest silk. Option D is wrong because West Bengal rears mulberry silk and weaves Baluchari and Jamdani, but not Muga. Assam alone also gives eri, the warm ahimsa silk. A useful rule is that Assam supplies two of the four Indian silks, muga and eri, while the other states supply mulberry and tasar.

Q4.Art & CultureEasy

The Kanjeevaram or Kanchipuram silk saree belongs to which state?

  1. A.Kerala
  2. B.Tamil Nadu
  3. C.Andhra Pradesh
  4. D.Karnataka
Show answer

Correct answer: B. Tamil Nadu

Explanation

The correct answer is B, Tamil Nadu. The saree is named after the temple town of Kanchipuram in Tamil Nadu, where it is woven from thick mulberry silk. Its body and its contrasting border are often woven separately and then joined so firmly that the joint holds even if the saree tears, and wide bands of zari are used. Option A is wrong because Kerala weaves the kasavu, an off white cotton saree with a plain gold border, at Balaramapuram and Chendamangalam. Option C is wrong because Andhra Pradesh is known for Venkatagiri and Uppada sarees and for Kalamkari painted cloth. Option D is wrong because Karnataka gives Mysore crepe silk and the Ilkal saree. Do not shift Kanchipuram out of Tamil Nadu. Examiners often shift this saree to a neighbouring southern state, so fix it to the temple town of Kanchipuram itself.

Q5.Art & CultureMedium

Bandhani, a craft of Gujarat and Rajasthan, is an example of which technique?

  1. A.Tie and dye
  2. B.Wax resist printing
  3. C.Metal thread embroidery
  4. D.Hand painting with a pen
Show answer

Correct answer: A. Tie and dye

Explanation

The correct answer is A, tie and dye. In Bandhani the cloth is pinched and tied with thread in thousands of tiny knots before it is dipped in dye, so the tied points resist the colour and appear as white or light dots in patterns of squares, waves and flowers. Kutch, Jamnagar, Jodhpur and Sikar are its known centres. Option B is wrong because wax resist dyeing is Batik, practised in Madhya Pradesh and West Bengal, where molten wax and not thread blocks the dye. Option C is wrong because metal thread embroidery is Zardozi, a needle craft of Lucknow and Bhopal. Option D is wrong because painting with a kalam or pen is Kalamkari of Andhra Pradesh. Bandhani is dyeing, not weaving or stitching.

Q6.Art & CultureEasy

Chikankari, the delicate white shadow embroidery worked on fine muslin, is associated with which city?

  1. A.Jaipur
  2. B.Lucknow
  3. C.Bhagalpur
  4. D.Srinagar
Show answer

Correct answer: B. Lucknow

Explanation

The correct answer is B, Lucknow. Chikankari is the hand embroidery of Lucknow in Uttar Pradesh, worked in white untwisted thread on light cloth, with stitches that show the motif as a shadow through the fabric. The same city is the home of Zardozi, the heavier metal thread work. Option A is wrong because Jaipur and the nearby towns of Sanganer and Bagru are known for block printed cotton, not for shadow embroidery. Option C is wrong because Bhagalpur in Bihar is the silk city, known for tasar weaving rather than for embroidery. Option D is wrong because Srinagar in Jammu and Kashmir is known for Kashida embroidery on shawls and for Pashmina weaving. The pair to hold is Lucknow with Chikankari. Examiners also ask what cloth is used for it, and the answer is fine muslin and other light fabrics such as cotton voile.

Q7.Art & CultureMedium

Pochampally, famous for its geometric ikat weaving, is located in which state?

  1. A.Telangana
  2. B.Odisha
  3. C.Tamil Nadu
  4. D.Gujarat
Show answer

Correct answer: A. Telangana

Explanation

The correct answer is A, Telangana. Bhoodan Pochampally in the Yadadri Bhuvanagiri district of Telangana weaves the ikat saree known as Pochampally, in which the yarn is tied and dyed to produce geometric diamonds and squares with softly blurred edges. It was among the first Indian textile products to receive a geographical indication tag. Option B is wrong because the ikat of Odisha is the Sambalpuri bandha, which uses shankha, chakra and flower motifs. Option C is wrong because Tamil Nadu is the home of Kanchipuram and Konrad temple sarees, which are brocade weaves. Option D is wrong because the ikat of Gujarat is the double ikat Patola of Patan. Pochampally is also called the silk city of Telangana. For revision, link ikat with three states, Gujarat for Patola, Odisha for Sambalpuri and Telangana for Pochampally.

Q8.Art & CultureHard

Srikalahasti and Machilipatnam are the two centres of which textile craft?

  1. A.Phulkari
  2. B.Kalamkari
  3. C.Kantha
  4. D.Bandhani
Show answer

Correct answer: B. Kalamkari

Explanation

The correct answer is B, Kalamkari. Kalamkari is cloth decorated with vegetable dyes, and it has two schools, both in Andhra Pradesh. At Srikalahasti the work is drawn freehand with a pen like kalam and the subjects are taken from temple mythology, while at Machilipatnam the designs are printed with carved wooden blocks. Option A is wrong because Phulkari is the bright darn stitch flower embroidery of Punjab, worked on khaddar. Option C is wrong because Kantha is the running stitch quilting of West Bengal, made from layers of old cloth. Option D is wrong because Bandhani is the tie and dye craft of Gujarat and Rajasthan. Hold the pair Kalamkari with Andhra Pradesh and remember its two towns. Note also that the word kalamkari joins kalam, meaning a pen, with kari, meaning work, which is itself a one mark question.

Q9.Art & CultureEasy

Phulkari embroidery is the traditional craft of which state?

  1. A.Punjab
  2. B.Bihar
  3. C.Karnataka
  4. D.Manipur
Show answer

Correct answer: A. Punjab

Explanation

The correct answer is A, Punjab. Phulkari, meaning flower work, is the embroidery of Punjab, in which bright untwisted silk thread is worked in darn stitch from the reverse of a coarse handspun khaddar cloth, so the pattern fills the surface with flowers. The bagh is the variety in which the embroidery covers the ground completely. Option B is wrong because the story telling quilt embroidery of Bihar is Sujani, from Bhusura in Muzaffarpur, and Madhubani is its painting tradition. Option C is wrong because the counted thread embroidery of Karnataka is Kasuti, which leaves no knots at the back. Option D is wrong because Manipur is known for its handloom weaving rather than for a named embroidery of this kind. For revision, hold Punjab with Phulkari, Bihar with Sujani, Karnataka with Kasuti and West Bengal with Kantha.

Q10.Art & CultureMedium

Kota Doria, the very light saree woven in a square check mesh of cotton and silk, belongs to which state?

  1. A.Madhya Pradesh
  2. B.Rajasthan
  3. C.Uttar Pradesh
  4. D.Haryana
Show answer

Correct answer: B. Rajasthan

Explanation

The correct answer is B, Rajasthan. Kota Doria is woven at Kaithoon and the villages near Kota in Rajasthan, where cotton and silk yarns are alternated to make the small square checks called khat, giving a cloth so light and open that it suits the desert summer. Option A is wrong because the light sarees of Madhya Pradesh are Chanderi and Maheshwari, which are glossy and plain rather than a visible mesh of checks. Option C is wrong because Uttar Pradesh is known for Banarasi brocade and for Chikankari embroidery. Option D is wrong because Haryana has no handloom saree of this name, though it shares the Phulkari tradition of the north west. The pair to hold is Kota with Doria. The same cloth is also called Kota Masuria, and it carries a geographical indication tag of its own.

Q11.Art & CultureMedium

National Handloom Day is observed every year on which date?

  1. A.7 August
  2. B.15 July
  3. C.2 October
  4. D.26 November
Show answer

Correct answer: A. 7 August

Explanation

The correct answer is A, 7 August. The date was chosen because the Swadeshi Movement was launched at the Calcutta Town Hall on 7 August 1905, calling on Indians to use cloth made in their own country, and the first National Handloom Day was observed at Chennai in 2015 to honour handloom weavers. Option B is wrong because 15 July is observed as World Youth Skills Day, which has no connection with handlooms. Option C is wrong because 2 October is Gandhi Jayanti, and although Gandhi made khadi a symbol of the freedom movement, the handloom day is not kept on his birthday. Option D is wrong because 26 November is Constitution Day. Link the day to the Swadeshi call of 1905. The observance is conducted every year by the Ministry of Textiles, which works for handloom weavers across the states.

Q12.Art & CultureHard

The Paithani saree, identified by the peacock and lotus motifs of its pallu, is woven in which state?

  1. A.Maharashtra
  2. B.Kerala
  3. C.West Bengal
  4. D.Karnataka
Show answer

Correct answer: A. Maharashtra

Explanation

The correct answer is A, Maharashtra. The Paithani takes its name from Paithan on the Godavari, and it is also woven at Yeola in the Nashik district. It is a silk brocade in which the border and the pallu are made by the tapestry technique, with peacocks, lotuses and vines in gold thread, and the design shows on both sides. Option B is wrong because the handloom saree of Kerala is the kasavu, plain off white cotton with a gold border. Option C is wrong because West Bengal gives Baluchari, Jamdani and tant sarees. Option D is wrong because Karnataka weaves Mysore crepe silk and the Ilkal saree with its red pallu. Hold the pair Paithan with Paithani and the peacock motif. For revision, hold Maharashtra with Paithani, Gujarat with Patola and Madhya Pradesh with Chanderi and Maheshwari.

Frequently Asked Questions

Which saree is called a double ikat and where is it woven?

The Patola saree of Patan in Gujarat. Both the warp and the weft yarns are tied and dyed before weaving, so the finished pattern reads the same on the front and the back of the cloth, which no single ikat can do.

Which state produces Muga silk?

Assam. Muga is the natural golden silk of the Brahmaputra valley, reared nowhere else in the world, and Sualkuchi near Guwahati is the town known for weaving it into mekhela chador and sarees.

What is the difference between Bandhani and Batik?

Both resist the dye, but in different ways. Bandhani ties the cloth in thousands of tiny knots so the tied spots stay white as dots, while Batik covers parts of the cloth with wax so the waxed areas take no colour.

Which embroidery belongs to Lucknow?

Chikankari, the fine white shadow work done on muslin and other light cloth. Lucknow is also the home of Zardozi, the heavier metal thread embroidery with sequins and stones used on bridal and formal wear.

When is National Handloom Day observed and why on that date?

On 7 August. The Swadeshi Movement was launched at the Calcutta Town Hall on 7 August 1905, calling for the use of Indian cloth, and the day was first observed at Chennai in 2015 to honour handloom weavers.

Sources

  • Handlooms and Handicrafts of India — Ministry of Textiles, Government of India
  • Silk Industry in India and the Four Varieties of Silk — Central Silk Board
  • Registered Geographical Indications of India — Geographical Indications Registry, Government of India
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