Madhya Pradesh GK Questions 2026

Born at Babai in the present Narmadapuram district, he was a poet of the freedom movement as well as an editor, and he is widely remembered for Pushp ki Abhilasha, in which a flower asks not to be offered to a deity but to be strewn on the path along…

Isuri composed in Bundeli in the four line form called chaukadiya, sung above all in the fag songs of the Holi season, and his verses on love and separation are still sung across Bundelkhand.

Keshavdas lived at the Bundela court of Orchha on the Betwa, and he is treated as the acharya who opened the riti era of Hindi poetry, in which the rules of poetics mattered as much as the feeling.

Grierson grouped Awadhi, Bagheli and Chhattisgarhi together as Eastern Hindi, because all three descend from the same Ardhamagadhi line and share features that set them apart from the dialects further west.

Gondi is the language of the Gond people, the largest tribal community of central India, spread over the Satpura and Mahakoshal belt of Madhya Pradesh and into the neighbouring states.

Rewa was the capital of the Baghel Rajput house that gave the region its name, and the dialect shades into Awadhi towards Uttar Pradesh and into Chhattisgarhi towards the south east, which is exactly why Grierson classified it as Eastern Hindi.

Nimadi takes its name from Nimar, the country lying south of the Vindhyas in the Narmada valley, and it is spoken in Khargone, Khandwa, Barwani and Burhanpur.

Bhajju Shyam, a nephew of Jangarh Singh Shyam and a painter of the Jangarh Kalam, was invited to London to paint a restaurant and recorded that journey in The London Jungle Book, in which the city is drawn through Gond imagery, the underground train as an earthworm and the double…

The Pardhans are the bardic group within Gond society who sing the deeds of Bada Dev to the three stringed fiddle called the bana, and who receive a customary payment from the families they sing for.

The Indira Gandhi Rashtriya Manav Sangrahalaya was set up in 1977 and stands on the Shamla Hills at Bhopal, overlooking the Upper Lake.

Bada Dev, also called Budha Dev, is the chief deity of the Gonds and is worshipped in the saja tree; the Pardhan bards sing his deeds to the three stringed bana, and these songs are the source from which Gond painting drew its subjects.

Mandana is made by women of the Malwa and Nimar region, who coat the floor or the lower wall with red geru and then draw geometric figures, flowers, peacocks and lamps on it with white chui mitti.

These three are notified as particularly vulnerable tribal groups in Madhya Pradesh, a category earlier called primitive tribal groups and defined by a pre-agricultural level of technology, very low literacy, a small and stagnant population and a forest based life.

Bhuri Bai of Pitol village in Jhabua district is a Bhil artist who began as a wage worker at the Bharat Bhavan site, was encouraged to paint on paper by Jagdish Swaminathan and became the first Bhil artist to carry Pithora forms on to paper and canvas.

Bharat Bhavan opened at Bhopal in 1982 in a building designed by the architect Charles Correa, and its art gallery Roopankar, shaped by the painter Jagdish Swaminathan, placed the work of village and tribal artists beside modern Indian painting.

Pithora is the ritual wall painting of the Bhil and Bhilala people of Jhabua, Alirajpur and Dhar in the west of the state.

Patangarh, the village of Jangarh Singh Shyam and of many Gond painters after him, lies in Dindori district in the eastern, forested part of the state, in the Gond country that also covers Mandla.

A Pardhan Gond of Patangarh village in Dindori district, he was brought to Bhopal in the early nineteen eighties for Roopankar, the gallery of Bharat Bhavan, and turned the Digna wall patterns and the songs of Bada Dev into paintings on paper and canvas.

Batik, in which molten wax is applied to resist the dye so that the covered parts stay uncoloured, is practised at Bherugarh in Ujjain, and the Bherugarh print is the name under which the cloth is sold.

Chanderi is woven in three recognised kinds, pure cotton, pure silk, and the silk and cotton mix, and it is the last of these that gives the cloth its characteristic sheer, glossy, almost transparent body with a soft fall.