Madhya Pradesh GK Questions 2026

Maheshwar is a town of Khargone district, formerly called West Nimar, on the north bank of the Narmada.

Pithora is a wall painting of the Bhil and Bhilala people of the Jhabua, Alirajpur and Dhar belt.

Gond painting belongs to the Gond people of the eastern districts of the state, chiefly Dindori and Mandla, where it began as a decoration of the mud wall and the floor and moved to paper and canvas in the late twentieth century.

The Kadaknath is a breed of fowl of the Jhabua and Alirajpur tribal belt in western Madhya Pradesh, with dark flesh, dark bones and a very low fat content, and it is reared by the Bhil and Bhilala families of the region.

Bagh print takes its name from the village of Bagh in Dhar district, where the Khatri families print cotton and silk with hand cut wooden blocks and dye it in vegetable colours, chiefly alizarin from the madder root for red and indigo for blue.

Ahilyabai Holkar ruled Malwa from Maheshwar in the eighteenth century and is credited with establishing the weaving of the town, bringing in weavers and having borders designed from the carving of the local temples and fort.

Maheshwar stands on the north bank of the Narmada in Khargone district and was the capital of Ahilyabai Holkar in the eighteenth century.

Chanderi lies in Ashoknagar district, in the Betwa belt on the old boundary between Malwa and Bundelkhand, and its weavers make the light, glossy, almost transparent Chanderi fabric in cotton, in silk and in the silk and cotton mix for which the town is best known.

The temples of Khajuraho stand in Chhatarpur district in the Bundelkhand region, and the dance festival is held among them in February, when dancers of Bharatanatyam, Odissi, Kathak, Kuchipudi and the other classical forms perform against the temple walls.

Karma is danced by the Gond and Baiga of the eastern and southern districts after the harvest, men and women moving in a circle to the mandar drum, and Saila is the stick dance in which young men form rows and strike their sticks together as they move.

Gwalior had been a seat of music since the Tomar rulers patronised dhrupad, and when khayal took the place of dhrupad as the leading form the city produced the first of its gharanas.

Baba Alauddin Khan spent the greater part of his life as court musician at Maihar in the east of the state and gave his name to the Maihar gharana of instrumental music.

Maach is the folk theatre of Malwa, played through the night on a raised wooden platform, which is what the name itself means.

Rai is the signature dance of Bundelkhand in the north-east of the state, danced by a woman of the Bedni community who whirls to an accelerating beat of the nagariya and the mridang while the audience calls for more.

Matki is danced by the women of Malwa and the adjoining Nimar at weddings and other family celebrations, with an earthen pot held on the head while the dancer turns to the beat of the dhol.

Man Singh Tomar ruled Gwalior at the end of the fifteenth and beginning of the sixteenth century and was the great patron of dhrupad, drawing singers to his court and encouraging composition in the spoken language rather than in Sanskrit alone.

The Tansen Samaroh is held in the winter at the musician's birthplace of Behat and at his tomb in Gwalior, and the National Tansen Samman for Hindustani classical music is conferred during it.

Tansen was born Ramtanu Pandey in the village of Behat near Gwalior, learnt from Swami Haridas of Vrindavan and from the Sufi Muhammad Ghaus of Gwalior, served the court of Rewa and was then taken by Akbar into his own court, where he was counted among the nine jewels.

Ujjain is held to be the city of Kalidasa, and the state festival named after him, with drama, recitation and scholarship on his works, is held there.

The name Bawangaja means fifty-two gaz, the traditional height given to the standing rock-cut image of Adinatha cut into the Satpura slope in Barwani district, and its mahamastakabhisheka draws Jain pilgrims from across the country.