SSC MTS GK Questions 2026

The two won the bronze medal in the Mixed Doubles SL3-SU5 event, and their teamwork, determination and competitive spirit through the tournament were singled out in the Prime Minister's message.

Two Indians stood on the podium in that class, Abhijeet Sakhuja, who reached it on his first appearance at the Games, and Suhas L. Yathiraj, and both of them took bronze.

She won bronze in the Women's Singles SU5 event, a bronze medal for the second consecutive edition of the Games, and then won a second bronze in the Mixed Doubles SL3-SU5 event alongside Pramod Bhagat, which gave her two medals on the same day.

Kwashiorkor is a disease of protein deficiency in a child who still gets enough calories. It usually appears when a child is weaned from breast milk onto a starchy diet with little protein.

A Kavad is a small shrine made of mango wood, painted a deep red and covered with figures of gods and heroes, and fitted with several hinged panels.

The palace maintained a painting workshop, and Sahibdin was its leading hand.

The Dhundhar school covers the painting of the Amber and Jaipur region and includes Alwar, Shekhawati and Uniara among its sub-styles.

From the eighteenth century the merchant families of Shekhawati, in the Jhunjhunu, Sikar and Churu districts, built large courtyard houses and had their outer and inner walls covered with painted plaster.

Usta art, also called Munawwat or gold manoti work, is a craft in which a raised design is built up and then gilded, traditionally on camel hide but also on leather objects, wood and the walls and ceilings of palaces.

A Phad is a long horizontal cloth on which the whole life story of a folk deity, most often Pabuji or Devnarayan, is laid out in episodes, and it is not simply hung for display: a Bhopa priest-singer carries it from village to village, unrolls it at night and sings…

The Chitrashala is a gallery within the Garh Palace of Bundi, built in the time of Rao Raja Ummed Singh, and its walls and ceilings carry some of the finest murals in Rajasthan, painted in the blue and green that the Bundi style loves.

A Ragamala is a series in which each musical mode is given a visual form, with a season, a time of day and a mood attached to it.

A Pichhwai is a large painting on cloth that is hung behind the image of Shrinathji in the temple, the word itself meaning that which hangs at the back, and it is changed according to the season and the festival being observed.

Kota separated from Bundi in the seventeenth century and, while it inherited Bundi's feeling for dense forest and water, it turned that setting to a subject of its own, the royal hunt.

Nihal Chand developed the elongated, idealised face that defines the Kishangarh style and used it for Radha and Krishna as well as for the single portrait now called Bani Thani, often set against the water of the Gundalao lake.

Bani Thani is the best known single work of the Kishangarh sub-style of the Marwar school, painted in the middle of the eighteenth century, and the art historian Eric Dickinson called it the Indian Mona Lisa.

The associations of 1836 to 1885 were run by landlords, lawyers, teachers and journalists, drew their membership from the English-educated and propertied classes, and worked mainly in Calcutta, Bombay, Madras and Poona.

The session had originally been planned for Poona, but an outbreak of cholera there led to the change of venue to Bombay.

Surendranath Banerjee's Association called the first National Conference in Calcutta in December 1883, bringing delegates from several parts of India to discuss questions of national importance, and it held a second conference in December 1885.

The Madras Mahajana Sabha was founded that year by M. Viraraghavachariar, G. Subramania Iyer and P. Anandacharlu as a presidency-wide body for southern India, and it held a conference in Madras in December 1884 that brought together representatives of local associations.