Tansen, credited with the ragas Miyan ki Malhar and Darbari Kanada, was a musician in whose court?
- A.Akbar
- B.Shah Jahan
- C.Krishnadevaraya
- D.Wajid Ali Shah
Correct answer
Explanation
The correct answer is A, Akbar. Tansen was counted among the navratnas, the nine jewels of Akbar's court, and had earlier served the ruler of Rewa. He was a disciple of Swami Haridas, and tradition credits him with Miyan ki Malhar, Miyan ki Todi and Darbari Kanada. He is buried at Gwalior beside the tomb of Muhammad Ghaus, and the Tansen Samaroh is held there in his memory every year.
Option B, Shah Jahan, ruled two generations later and is remembered in the syllabus for architecture rather than for Tansen. Option C, Krishnadevaraya, was the Vijayanagara ruler of the early sixteenth century, a patron of Telugu literature, not of Tansen. Option D, Wajid Ali Shah, was the last Nawab of Awadh and a real patron of music, but of thumri and kathak in Lucknow, three centuries after Tansen. Every option is a genuine patron of the arts, which is what makes the question worth setting.
Read the full article: Indian Classical Music: Hindustani, Carnatic, Ragas and Talas
Practice Questions
View allWhich Veda is regarded as the source of Indian classical music?
- A.Rigveda
- B.Yajurveda
- C.Samaveda
- D.Atharvaveda
Show answer
The Samaveda is the Veda of melody. Most of its verses are taken from the Rigveda, but they are arranged for singing rather than for recitation, and that singing is known as Samagana.
Read the full explanation →The Sangeeta Ratnakara, a treatise accepted by both the Hindustani and the Carnatic traditions, was written by whom?
- A.Matanga
- B.Sarangadeva
- C.Bharata Muni
- D.Venkatamakhin
Show answer
Sarangadeva wrote the Sangeeta Ratnakara in the thirteenth century while attached to the Yadava court at Devagiri in the Deccan.
Read the full explanation →How many melakarta ragas are there in the Carnatic system?
- A.10
- B.22
- C.32
- D.72
Show answer
The melakarta ragas are the parent scales of Carnatic music, each of them using all seven notes in both ascent and descent.
Read the full explanation →Teentaal, the most common tala of Hindustani music, has how many matras?
- A.10
- B.12
- C.16
- D.14
Show answer
Teentaal runs over sixteen matras divided into four equal vibhags of four beats each. The first beat of the cycle is the sam and carries the stress, the third vibhag opens on a khali, and the cycle returns to the sam at the end.
Read the full explanation →Which is the oldest surviving form of Hindustani vocal music?
- A.Khayal
- B.Thumri
- C.Dhrupad
- D.Tappa
Show answer
Dhrupad is austere and devotional, sung in four sections called sthayi, antara, sanchari and abhog, and it opens with a long unmetred alap.
Read the full explanation →