The Sangeeta Ratnakara, a treatise accepted by both the Hindustani and the Carnatic traditions, was written by whom?
- A.Matanga
- B.Sarangadeva
- C.Bharata Muni
- D.Venkatamakhin
Correct answer
Explanation
The correct answer is B, Sarangadeva. Sarangadeva wrote the Sangeeta Ratnakara in the thirteenth century while attached to the Yadava court at Devagiri in the Deccan. Because it has seven chapters it is also called the Saptadhyayi, and because it was written before the northern and southern traditions drew apart, both of them still treat it as authoritative.
Option A, Matanga, wrote the Brihaddeshi, the work remembered for using the word raga in something close to its modern meaning, but not the Sangeeta Ratnakara. Option C, Bharata Muni, is the author of the Natya Shastra, the treatise on drama that contains the earliest systematic description of swaras and shrutis. Option D, Venkatamakhin, belongs to the seventeenth century and to the south; his Chaturdandi Prakashika set out the scheme of seventy-two melakarta ragas that Carnatic music still uses. All four are treatise writers, which is exactly why they are offered together.
Read the full article: Indian Classical Music: Hindustani, Carnatic, Ragas and Talas
Practice Questions
View allWhich Veda is regarded as the source of Indian classical music?
- A.Rigveda
- B.Yajurveda
- C.Samaveda
- D.Atharvaveda
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The Samaveda is the Veda of melody. Most of its verses are taken from the Rigveda, but they are arranged for singing rather than for recitation, and that singing is known as Samagana.
Read the full explanation →How many melakarta ragas are there in the Carnatic system?
- A.10
- B.22
- C.32
- D.72
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The melakarta ragas are the parent scales of Carnatic music, each of them using all seven notes in both ascent and descent.
Read the full explanation →Teentaal, the most common tala of Hindustani music, has how many matras?
- A.10
- B.12
- C.16
- D.14
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Teentaal runs over sixteen matras divided into four equal vibhags of four beats each. The first beat of the cycle is the sam and carries the stress, the third vibhag opens on a khali, and the cycle returns to the sam at the end.
Read the full explanation →Which is the oldest surviving form of Hindustani vocal music?
- A.Khayal
- B.Thumri
- C.Dhrupad
- D.Tappa
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Dhrupad is austere and devotional, sung in four sections called sthayi, antara, sanchari and abhog, and it opens with a long unmetred alap.
Read the full explanation →The pakhawaj is the percussion instrument traditionally used to accompany which form?
- A.Dhrupad
- B.Thumri
- C.Kriti
- D.Ghazal
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The pakhawaj is a long barrel drum played horizontally with both hands, deeper and graver in tone than the tabla, and its weight suits the slow and solemn movement of dhrupad.
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