SSC MTS GK Questions 2026

Twenty-five completed years are marked as a silver jubilee, called the Rajat Jayanti in Hindi, rajat being the word for silver, and the name comes from the old custom of giving silver on the twenty-fifth wedding anniversary.

Raja Harishchandra, written, produced and directed by Dadasaheb Phalke, was released in 1913 and is recognised as the first full-length Indian feature film; the Dadasaheb Phalke Award takes its name from its maker.

Asha Bhosle, the playback singer with one of the longest careers in Indian film music, received the Dadasaheb Phalke Award in 2000.

Amitabh Bachchan was named for the Dadasaheb Phalke Award for the year 2018, and the honour was presented at the National Film Awards ceremony that followed.

Lata Mangeshkar received the Dadasaheb Phalke Award in 1989, and she was later awarded the Bharat Ratna in 2001.

Satyajit Ray, the Bengali director of Pather Panchali and the rest of the Apu trilogy, received the Dadasaheb Phalke Award in 1984.

Prithviraj Kapoor, the actor of both stage and screen and the founder of Prithvi Theatres, received the award in 1971 and was its first posthumous recipient.

The recipient is given the Swarna Kamal or Golden Lotus medallion, along with a shawl and a cash prize, at the National Film Awards ceremony.

The award is conferred by the Government of India through the Ministry of Information and Broadcasting and is presented at the annual National Film Awards ceremony, the recipient being chosen by a committee of eminent persons from the film industry.

Dadasaheb Phalke wrote, produced and directed Raja Harishchandra, released in 1913, which is recognised as the first full-length Indian feature film, and it is for this that he is called the father of Indian cinema.

Devika Rani, an actress and producer often described as the first lady of Indian cinema, received the first Dadasaheb Phalke Award in 1969, so the very first recipient of the honour was a woman.

The Dadasaheb Phalke Award was introduced in 1969 by the Government of India, as part of the celebration of the birth centenary of Dhundiraj Govind Phalke, and it has been conferred each year since on one person for a lifetime's contribution to Indian cinema.

Kalamandalam Kalyanikutty Amma is often described as the mother of Mohiniyattam, because she gathered and set in order the movements and repertoire of this graceful dance of Kerala, which is performed by women and belongs to the lasya or gentle style.

Uday Shankar was not a classical dancer in the strict sense; he created a new idiom by blending Indian movement with Western stagecraft, and he is regarded as the pioneer of modern or creative dance in India, having performed with the ballerina Anna Pavlova early in his career.

Sattriya grew in the sattras, the Vaishnava monasteries of Assam, and is traced to the saint and reformer Srimanta Sankardeva, who used dance and drama to carry his teaching to ordinary people; it is the most recent of the eight forms to be recognised as classical.

Guru Bipin Singh was the teacher who systematised Manipuri dance and, with the Jhaveri sisters as his leading pupils, carried it from Manipur to concert stages across India.

Vempati Chinna Satyam was the guru who shaped the modern repertoire of Kuchipudi, the dance that takes its name from a village in Andhra Pradesh and is traditionally traced to the saint-poet Siddhendra Yogi.

The poet Vallathol Narayana Menon founded Kerala Kalamandalam in the twentieth century to revive Kathakali and the other performing arts of Kerala, and the gurus trained there carry the name of the institution before their own.

Protima Gauri, also known as Protima Bedi, founded Nrityagram near Bengaluru as a residential village where dancers live and train in the manner of the old gurukul, and she herself was a dancer of Odissi.

Kelucharan Mohapatra was the guru who, with Pankaj Charan Das and others, reconstructed Odissi in the twentieth century from temple sculpture and the surviving traditions of Odisha, and he trained a generation of dancers including Sanjukta Panigrahi.