Skip to content
GK24
Uttar PradeshHard

Alha, the heroic ballad of Alha and Udal, is the folk song tradition of which region?

  1. A.Braj
  2. B.Bundelkhand
  3. C.Awadh
  4. D.Rohilkhand

Correct answer

B. Bundelkhand

Explanation

The correct answer is B, Bundelkhand. Alha is sung in the Bundelkhandi region of southern Uttar Pradesh and the adjoining districts of Madhya Pradesh, especially around Mahoba, and it narrates the battles of the warrior brothers Alha and Udal of the Chandela court. The verses come from the Alha Khand attributed to the poet Jagnik, the singing is loud and rapid, and the rainy season is its traditional time.

Option A, Braj, has Rasiya, Hori and the Raslila repertoire built around Krishna rather than war ballads. Option C, Awadh, has Sohar, Banna and the thumri and ghazal of Lucknow. Option D, Rohilkhand, is not associated with this ballad at all. Papers often pair Alha with Bundelkhand in a match-the-list question alongside Birha with Purvanchal and Kajri with Mirzapur, so these three pairings are worth memorising together.

Read the full article: Folk Music, Dance and Theatre of Uttar Pradesh: Kathak to Nautanki

View all
Q4.Uttar PradeshMedium

Ramlila, the traditional performance of the Ramayana, was placed by UNESCO on which list?

  1. A.World Heritage List
  2. B.Representative List of the Intangible Cultural Heritage of Humanity
  3. C.Memory of the World Register
  4. D.List of Creative Cities
Show answer
Correct answer: B. Representative List of the Intangible Cultural Heritage of Humanity

Ramlila is a living performance tradition rather than a building or a document, so it was inscribed in 2008 on the list that UNESCO maintains for intangible heritage, the same list that carries Kutiyattam, Vedic chanting and Ramman from India.

Q5.Uttar PradeshMedium

Which pair of towns are the two main centres and styles of Nautanki?

  1. A.Hathras and Kanpur
  2. B.Mathura and Agra
  3. C.Varanasi and Jaunpur
  4. D.Lucknow and Faizabad
Show answer
Correct answer: A. Hathras and Kanpur

Nautanki grew into two recognised styles, the Hathras style in which the sung music and the verse metres dominate and the audience comes for the singing, and the Kanpur style in which dialogue, acting and stagecraft carry more of the play.