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Uttar PradeshEasy

The Charkula dance belongs to which region of Uttar Pradesh?

  1. A.Bundelkhand
  2. B.Braj
  3. C.Purvanchal
  4. D.Rohilkhand

Correct answer

B. Braj

Explanation

The correct answer is B, Braj. Charkula is danced in the Braj country around Mathura, where a woman balances a tiered wooden pyramid hung with rows of lighted earthen lamps, traditionally counted as one hundred and eight, on her head and moves to Rasiya songs of Krishna. It is associated with the spring and Holi season of Braj and is performed with the head and neck absolutely still while the feet keep the rhythm.

Option A, Bundelkhand, is the home of the Rai and Shaira dances and of the Alha ballad, not of Charkula. Option C, Purvanchal, the Bhojpuri east, has Dhobiya, Domkach and Jhijhiya, the last of which also uses a lamp-filled pot but is carried in a very different style and belongs to the Durga Puja season. Option D, Rohilkhand, in the north-west of the state, is not the seat of any of these three forms, so Braj alone fits the question.

Read the full article: Folk Music, Dance and Theatre of Uttar Pradesh: Kathak to Nautanki

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Q3.Uttar PradeshMedium

Ramlila, the traditional performance of the Ramayana, was placed by UNESCO on which list?

  1. A.World Heritage List
  2. B.Representative List of the Intangible Cultural Heritage of Humanity
  3. C.Memory of the World Register
  4. D.List of Creative Cities
Show answer
Correct answer: B. Representative List of the Intangible Cultural Heritage of Humanity

Ramlila is a living performance tradition rather than a building or a document, so it was inscribed in 2008 on the list that UNESCO maintains for intangible heritage, the same list that carries Kutiyattam, Vedic chanting and Ramman from India.

Q4.Uttar PradeshMedium

Which pair of towns are the two main centres and styles of Nautanki?

  1. A.Hathras and Kanpur
  2. B.Mathura and Agra
  3. C.Varanasi and Jaunpur
  4. D.Lucknow and Faizabad
Show answer
Correct answer: A. Hathras and Kanpur

Nautanki grew into two recognised styles, the Hathras style in which the sung music and the verse metres dominate and the audience comes for the singing, and the Kanpur style in which dialogue, acting and stagecraft carry more of the play.