Rajasthan Mixed Quiz: Set 19

The kamayacha is the signature instrument of the Manganiyar musicians of Jaisalmer and Barmer: a large bowl of mango wood covered with goat skin, with gut and steel strings played with a horsehair bow, giving the deep drone that accompanies Manganiyar singing.

The Vimal Vasahi, the oldest and largest of the Dilwara temples, was built in 1031 by Vimal Shah, a minister of the Solanki ruler of Gujarat, and is dedicated to Adinath, the first Jain Tirthankara.

The songs and dances of the Kalbelia community, the traditional snake charmers of Rajasthan, were added to the UNESCO Representative List of the Intangible Cultural Heritage of Humanity in 2010; the women dance in a flowing black skirt worked with silver ribbon to the been and the khanjari, with movements…

Greater Rajasthan, the fourth stage of the integration, brought Jaipur, Jodhpur, Bikaner and Jaisalmer into the earlier United State of Rajasthan, and Sardar Patel inaugurated it at Jaipur on 30 March 1949.

A Bhopa of Pabuji unrolls the painted scroll called the phad and sings the epic of Pabuji through the night, accompanying himself on the ravanhatta, a bowed instrument of a half coconut or gourd with a bamboo neck, a skin face and a row of jingling bells.

Gagron fort stands in Jhalawar district in the Hadoti region, at a point where the Ahu river joins the Kali Sindh, so that water guards it on three sides and only one side faces open land.

Women of the Kamad community perform Terah Taali seated on the ground as an act of devotion to Baba Ramdev, with thirteen small brass cymbals called manjiras tied to the wrists, elbows, waist and ankles and struck in rhythm, while the men of the troupe play the tandoora.

Nihal Chand developed the elongated, idealised face that defines the Kishangarh style and used it for Radha and Krishna as well as for the single portrait now called Bani Thani, often set against the water of the Gundalao lake.

Maand is the most refined style of Rajasthani singing, close enough to classical music to be treated as a raga in its own right, and Kesariya Balam Aavo Hamare Desh, made famous by Allah Jilai Bai of Bikaner, is its best known composition and effectively the state's signature song.

Maharaja Jaswant Singh of Marwar died at Jamrud in 1678, and Aurangzeb tried to take the state under direct Mughal control.

The Chari dance is performed by Gujjar women of this belt, who balance on the head a brass pot, the chari, filled with cotton seeds soaked in oil and set alight, so the dance goes on beneath a flame; it marks weddings and the birth of a son.

Balathal in Udaipur district and Gilund in Rajsamand district stand in the Banas basin of southern Rajasthan and share the Black and Red Ware, the copper working and the stone and mud brick houses of the Ahar culture, named after its type site at Ahar in Udaipur.

The Kalbelia folk songs and dances of Rajasthan were inscribed on the UNESCO Representative List of the Intangible Cultural Heritage of Humanity in 2010.

Prithviraj Chauhan III beat Muhammad Ghori at Tarain, near Thanesar in present day Haryana, in 1191, and the wounded invader escaped from the field.

Followers of Jasnath, whose centres lie in the Bikaner and Churu area, perform the fire dance by stepping on and dancing over a bed of burning embers to the beat of the dhol, the dance being an act of faith at their fairs.

Alauddin Khalji besieged Chittor in 1303, defeated Rawal Ratan Singh and handed the fort to his son Khizr Khan, after whom it was renamed Khizrabad.

The algoza is a double flute: the player holds two pipes at once, blowing a drone on one while playing the melody on the other, and a shepherd or a Langa musician can keep this up for long stretches using circular breathing.

Men of the Bhil and other communities of Mewar and Marwar dance Gair in a large circle during Holi, striking long sticks together in time with the dhol and the thali, and where women join the circle the form is called Gair Ghoomar.

The bhapang is a small drum of a hollowed gourd with a skin head, through which a gut string runs; the player plucks the string and tightens or loosens it to slide the pitch, producing the talking tone of the Mewati folk songs.

In this dance of acrobatic skill a woman places one earthen or brass pot upon another in a tall column on her head and then dances on the narrow rim of a brass thali, on the edge of a sword or on a heap of broken glass, keeping the column…