Railway GK Questions 2026

France Football and FIFA joined their two awards into one for those six years, so the winner of each of those years holds the FIFA Ballon d’Or; the partnership ended and the two awards were given separately again from 2016, when FIFA began The Best FIFA Men’s Player.

The women’s award was introduced in 2018, more than sixty years after the men’s, and the Norwegian forward, then with Lyon, was its first winner.

The Kopa Trophy was introduced in 2018 and is named after Raymond Kopa, the French forward who won the Ballon d’Or in 1958; its first winner was Kylian Mbappe of France.

Lev Yashin of the Soviet Union, known as the black spider for his dark jersey and his reach, won the Ballon d’Or in 1963, and no other goalkeeper has taken it since, which is why the trophy for the best goalkeeper of the year, given from 2019, is named the…

The English winger, then playing for Blackpool and already past forty, received the first Ballon d’Or in 1956, at a time when only European players could be considered.

The French magazine France Football created the Ballon d’Or in 1956 on the idea of its editor Gabriel Hanot, and the winner is settled on the votes of journalists, which is what separates it from an award given by a federation.

The award went to the scene after India won the World Cup of 2011, when the younger players carried Sachin Tendulkar on their shoulders around the Wankhede ground; the Best Sporting Moment is the one Laureus award decided by a public vote, which is why the Indian following mattered.

The first President of a democratic South Africa was the patron of the Laureus awards, and at the opening ceremony in 2000 he said that sport has the power to change the world and to unite people in a way that little else does; the sentence is now printed with…

The awards were established in 1999 by the founders of the Laureus Sport for Good Foundation, and the first ceremony took place in 2000 at Monte Carlo in Monaco, where Nelson Mandela, the patron of the awards, said that sport has the power to change the world.

Jangarh Singh Shyam of Patangarh in Madhya Pradesh took the Gond wall and floor decoration on to paper and canvas, filling his animals, trees and deities with dots and dashes, and the manner he created is called Jangarh Kalam after him; a generation of Gond painters followed it.

The Pattachitra palette is made at home from natural matter: white is ground from the conch shell, black from the soot of a lamp, red from hingula, yellow from haritala and blue from indigo, and the gum of the wood apple binds them to the cloth, which is finally given…

Sohrai is the harvest and cattle festival painting and Khovar the marriage painting of the Hazaribagh belt of Jharkhand, made by women who brush on coloured earths or scratch through a top layer of white clay to reveal the dark layer beneath, a technique called sgraffito; the tradition carries a…

The chauk is the ritual square that the married women of the household paint for a wedding, and within it they place Palaghata, the goddess of fertility, so that the painting is itself a blessing on the marriage.

Kalamkari means work of the pen, and its two centres lie in Andhra Pradesh: at Srikalahasti the design is drawn freehand with a bamboo pen and is temple-centred, while at Machilipatnam it is printed with carved wooden blocks for furnishing and dress.

Phad is a long scroll painted on cloth in the Shahpura and Bhilwara area of Rajasthan, traditionally by the Joshi families, and it carries the epics of the folk deities Pabuji and Devnarayan; the Bhopa priest-singer unrolls it at night and sings the story before it.

Jivya Soma Mashe of the Warli country in Maharashtra was the painter who began to paint every day rather than only at weddings and rituals, which is how Warli art moved from the wedding wall to paper, canvas and exhibitions abroad; he received the Padma Shri. Option A is wrong…

Pichwai is not a Madhubani style at all; it is the painted cloth hung behind the image of Shrinathji at Nathdwara in Rajasthan, showing the seasons and the festivals of the deity.

Raghurajpur, with the neighbouring Dandasahi, is the village of the Chitrakar families who paint Pattachitra, engrave palm leaf and make the painted masks and the Jagannath vesha panels; almost every house in it is a workshop.

Patta means cloth and chitra means picture, so Pattachitra is literally painting on cloth, made on a canvas of layers of cloth pasted together with tamarind seed paste and chalk and rubbed smooth with a stone.

The Warli painter builds everything from three shapes: the circle for the sun and the moon, the triangle for the mountain and the pointed tree, and the square for the sacred enclosure.