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The development of qawwali in India is credited to which figure?

  1. A.Tansen
  2. B.Amir Khusrau
  3. C.Baiju Bawra
  4. D.Swami Haridas

Correct answer

B. Amir Khusrau

Explanation

The correct answer is B, Amir Khusrau. Khusrau lived in the thirteenth and fourteenth centuries and was the disciple of the Chishti saint Nizamuddin Auliya of Delhi. He is credited with shaping qawwali by setting Persian and Arabic devotional verse to Indian melody in the Sufi hospices of the Delhi Sultanate, and tradition also links him to the khayal, the tarana and several ragas.

Option A, Tansen, was one of the nine jewels of Akbar's court and a master of dhrupad, not of qawwali. Option C, Baiju Bawra, is a semi-legendary dhrupad singer of the same era remembered for his contest with Tansen. Option D, Swami Haridas, was a Vaishnava saint and teacher of dhrupad in Vrindavan, associated with devotional song for Krishna rather than Sufi music. Only Khusrau belongs to the Sufi tradition in which qawwali grew.

Read the full article: Devotional Music of India: Bhajan, Kirtan and Qawwali

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Q1.Art & CultureEasy

Abhang, the devotional verse sung for Vithoba of Pandharpur, belongs to which tradition?

  1. A.The Varkari tradition of Maharashtra
  2. B.The Gaudiya Vaishnava tradition of Bengal
  3. C.The Pushtimarg of Rajasthan
  4. D.The Lingayat tradition of Karnataka
Show answer
Correct answer: A. The Varkari tradition of Maharashtra

Abhang is Marathi devotional verse, and the word means unbroken. Dnyaneshwar, Namdev, Eknath, Chokhamela and Tukaram composed abhangs for Vithoba of Pandharpur, and pilgrims still sing them on the wari to Pandharpur with the taal and the ektari.