In which year was Sattriya recognised as a classical dance form by the Sangeet Natak Akademi?
- A.1958
- B.1980
- C.2000
- D.2010
Correct answer
Explanation
The correct answer is C, 2000. Sattriya of Assam was the eighth and last form to enter the Akademi list, and that single date is the fact papers ask most often about it. The form was created by the Vaishnava saint Srimanta Sankardeva in the fifteenth and sixteenth centuries and was preserved by monks in the sattras, the monasteries that give it its name, as part of the Ankiya Naat plays.
Option A, 1958, is wrong but plausible because the Akademi itself had been set up in the preceding years and its early awards date from that decade. Option B, 1980, and option D, 2010, are round dates offered as traps; nothing was added to the classical list in either year. Fix the sequence in memory: seven forms were recognised earlier, and Sattriya joined them in 2000 to make eight.
Read the full article: Classical Dances of India: Eight Forms, States and Gurus
Practice Questions
View allBharatanatyam is the classical dance form of which Indian state?
- A.Kerala
- B.Tamil Nadu
- C.Karnataka
- D.Andhra Pradesh
Show answer
Bharatanatyam grew in the temples of Tamil Nadu, where it was performed by devadasis under the older name sadir or dasiattam, and it was brought to the concert stage in the twentieth century by E. Krishna Iyer and Rukmini Devi Arundale, who founded Kalakshetra at Madras in 1936.
Read the full explanation →Which classical dance form of Kerala is a dance-drama performed with elaborately painted faces and towering headgear?
- A.Mohiniyattam
- B.Kathakali
- C.Kuchipudi
- D.Odissi
Show answer
The name means story-play, and the form stages episodes from the Ramayana and the Mahabharata. Its characters are identified by make-up types, chiefly pacha for noble heroes, kathi for proud anti-heroes such as Ravana, thadi for fierce figures, kari for demonesses and minukku for gentle women and sages.
Read the full explanation →The Natya Shastra, the foundational text of Indian classical dance and drama, is attributed to which author?
- A.Nandikeshvara
- B.Bharata Muni
- C.Abhinavagupta
- D.Jayadeva
Show answer
The Natya Shastra is the Sanskrit treatise that lays down the grammar every classical form follows, dividing performance into nritta, nritya and natya, naming the four kinds of abhinaya, and describing the rasas.
Read the full explanation →The tarangam, in which the dancer performs on the rim of a brass plate, is an item of which classical dance?
- A.Odissi
- B.Kuchipudi
- C.Manipuri
- D.Kathak
Show answer
In the tarangam the dancer balances on the raised rim of a brass plate and moves it in rhythm, often with a pot of water carried on the head, which demonstrates the control over balance for which the Andhra form is famous.
Read the full explanation →Which classical dance developed under both temple and Mughal court patronage and is known for its rapid chakkars?
- A.Kathak
- B.Odissi
- C.Sattriya
- D.Bharatanatyam
Show answer
It began with the kathakars, the story-tellers who narrated the epics in north Indian temples, and under Mughal patronage it moved into the court, took on Persian costume and turned towards abstract rhythm.
Read the full explanation →