Folk Dances, Music and the Tansen Samaroh of Madhya Pradesh
Notes on the performing arts of Madhya Pradesh for MPPSC and SSC exams: Rai, Matki, Karma and Saila dances, Tansen, the Gwalior gharana and the state art awards.
By GK24 Editorial Team· Published · 4 min read

Madhya Pradesh sits at the centre of the country and its performing arts are a meeting of regions. The state divides for this purpose into Bundelkhand in the north-east, Baghelkhand in the east, Malwa in the west, Nimar in the south-west, Mahakoshal and the Satpura belt in the south, and the tribal districts of Jhabua and Mandla. Each has its own dances, songs and theatre. Beside this folk layer the state carries a classical history of the first rank, because Gwalior gave Hindustani music its oldest khayal gharana and gave Akbar's court Tansen.
The folk dances, region by region
| Dance | Region or community | What marks it |
|---|---|---|
| Rai | Bundelkhand | Danced by a Bedni to the nagariya and mridang, the fastest and best known dance of the state |
| Badhai and Saira | Bundelkhand | Danced at a birth, a wedding or a vow fulfilled |
| Baredi | Bundelkhand | Danced by Ahir cowherds in the Diwali season |
| Jawara | Bundelkhand and the Gwalior belt | Harvest dance with a basket of jawar sprouts balanced on the head |
| Matki | Malwa | Women dance with an earthen pot on the head at weddings; the solo turns are called Aada and Khada Nach |
| Grida | Malwa and Nimar | Danced in the fields when the rabi crop stands ripe |
| Karma and Saila | Gond and Baiga of the east and south | Karma after the harvest, Saila a stick dance of young men in rows |
| Lehangi | Sahariya of the Gwalior and Sheopur belt | Stick dance of the Rakhi season |
| Bhagoria | Bhil and Bhilala of Jhabua and Alirajpur | Dance of the Bhagoria fair held before Holi |
The folk theatre of Malwa is Maach, played on a raised platform with sung verse and a long opening invocation, while Bundelkhand and the Gwalior region share the Nautanki and Swang of the northern plains and Nimar has its Gammat. The songs follow the year: Faag at Holi, Alha in the rains of Bundelkhand, Sanja sung by girls of Malwa in the fortnight of the ancestors, Bambulia in Kartik, and the Nirguni songs of Kabir in the Malwa countryside. Common instruments are the nagariya and mridang of Bundelkhand, the dhap and timki of the tribal districts, the algoza flute and the bana, the fiddle of the Gond.
Tansen and the Gwalior tradition
Tansen, born Ramtanu Pandey at Behat near Gwalior, is the greatest name in the history of dhrupad. He learnt from Swami Haridas of Vrindavan and from the Sufi Muhammad Ghaus of Gwalior, served at the court of Rewa, and was then taken into the court of Akbar, where he was counted among the navratna, the nine jewels. Ragas such as Miyan ki Todi, Miyan ki Malhar and Darbari Kanada are attributed to him. He is buried at Gwalior beside the tomb of his teacher Muhammad Ghaus, and singers still speak of the tamarind tree at the grave.
Dhrupad had been nursed at Gwalior a century before Akbar by Raja Man Singh Tomar, in whose reign the treatise Man Kutuhal was compiled and whose queen Mrignayani is part of the city's legend. From the same city came the Gwalior gharana, the oldest gharana of khayal singing, out of which the later gharanas grew. Maihar in the east gave the Maihar gharana of Baba Alauddin Khan, the sarod master who taught Ravi Shankar and Ali Akbar Khan and founded the Maihar band of orphan boys. The Indore gharana is associated with Ustad Amir Khan, and Kumar Gandharva made his home at Dewas.
The festivals and the state awards
The Tansen Samaroh is held every year in the winter at Behat and Gwalior at the musician's tomb, and the National Tansen Samman for Hindustani classical music is conferred there. The Khajuraho Dance Festival in Chhatarpur district brings classical dancers to the temple complex in February. Bharat Bhavan at Bhopal, opened in 1982, holds the state's galleries, library and theatre, and the Indira Gandhi Rashtriya Manav Sangrahalaya in the same city is the national museum of mankind. The Ustad Alauddin Khan Sangeet evam Kala Akademi and the Adivasi Lok Kala Akademi, both at Bhopal, run the state's music and tribal art work.
| Award | Field |
|---|---|
| Tansen Samman | Hindustani classical music |
| Kalidas Samman | Classical music, dance, theatre and the plastic arts, conferred at Ujjain |
| Lata Mangeshkar Samman | Light and film music |
| Kishore Kumar Samman | Cinema |
| Tulsi Samman | Folk and tribal art |
Exam Point of View
The paper takes this chapter in three directions. The first is the dance-to-region match, where Rai, Baredi and Jawara go with Bundelkhand, Matki and Grida with Malwa and Nimar, Karma and Saila with the Gond and Baiga, Lehangi with the Sahariya and Bhagoria with the Bhil of Jhabua. The second is Tansen: his birthplace at Behat near Gwalior, his original name Ramtanu Pandey, his teachers Swami Haridas and Muhammad Ghaus, his place among Akbar's navratna and the ragas named after him. The third is the list of festivals and state awards, where the pairing of the Tansen Samaroh with Gwalior, the Dance Festival with Khajuraho, the Kalidas Samman with Ujjain and the Tulsi Samman with folk art is asked almost every year. A frequent trap is to place the Gwalior gharana among the later khayal gharanas instead of as the oldest.
Important Facts
| Best known folk dance | Rai of Bundelkhand, danced by a Bedni |
|---|---|
| Pot dance of Malwa | Matki, with Aada and Khada Nach as its solo forms |
| Gond and Baiga dances | Karma and Saila |
| Sahariya dance | Lehangi, of the Rakhi season |
| Bhil fair and dance | Bhagoria, held before Holi in Jhabua and Alirajpur |
| Folk theatre of Malwa | Maach |
| Tansen | Born Ramtanu Pandey at Behat near Gwalior |
| Tansen's teachers | Swami Haridas of Vrindavan and Muhammad Ghaus of Gwalior |
| Ragas attributed to Tansen | Miyan ki Todi, Miyan ki Malhar, Darbari Kanada |
| Man Kutuhal | Treatise on music from the reign of Raja Man Singh Tomar of Gwalior |
| Oldest khayal gharana | Gwalior gharana |
| Maihar gharana | Baba Alauddin Khan, teacher of Ravi Shankar |
| Tansen Samaroh | Held in winter at Behat and Gwalior |
| Khajuraho Dance Festival | Chhatarpur district, classical dance |
| Kalidas Samman | Conferred at Ujjain for classical and plastic arts |
Practice MCQs on this topic
Tansen, counted among the navratna of Akbar's court, was born at Behat near which city?
- A.Ujjain
- B.Gwalior
- C.Indore
- D.Bhopal
Show answer
Tansen was born Ramtanu Pandey in the village of Behat near Gwalior, learnt from Swami Haridas of Vrindavan and from the Sufi Muhammad Ghaus of Gwalior, served the court of Rewa and was then taken by Akbar into his own court, where he was counted among the nine jewels.
Read the full explanation →The Tansen Samaroh, the state's best known music festival, is held every year at
- A.Khajuraho
- B.Behat and Gwalior
- C.Ujjain
- D.Maihar
Show answer
The Tansen Samaroh is held in the winter at the musician's birthplace of Behat and at his tomb in Gwalior, and the National Tansen Samman for Hindustani classical music is conferred during it.
Read the full explanation →In the reign of which ruler of Gwalior was the music treatise Man Kutuhal compiled?
- A.Raja Man Singh Tomar
- B.Raja Bhoj
- C.Vikramaditya
- D.Jai Singh
Show answer
Man Singh Tomar ruled Gwalior at the end of the fifteenth and beginning of the sixteenth century and was the great patron of dhrupad, drawing singers to his court and encouraging composition in the spoken language rather than in Sanskrit alone.
Read the full explanation →The Matki dance, performed by women with an earthen pot balanced on the head, belongs to which region?
- A.Bundelkhand
- B.Malwa
- C.Baghelkhand
- D.Mahakoshal
Show answer
Matki is danced by the women of Malwa and the adjoining Nimar at weddings and other family celebrations, with an earthen pot held on the head while the dancer turns to the beat of the dhol.
Read the full explanation →The Rai dance, performed by a Bedni dancer to the nagariya drum, belongs to which region of Madhya Pradesh?
- A.Malwa
- B.Bundelkhand
- C.Nimar
- D.Jhabua
Show answer
Rai is the signature dance of Bundelkhand in the north-east of the state, danced by a woman of the Bedni community who whirls to an accelerating beat of the nagariya and the mridang while the audience calls for more.
Read the full explanation →Maach is the traditional folk theatre of which region of Madhya Pradesh?
- A.Malwa
- B.Bundelkhand
- C.Baghelkhand
- D.Mahakoshal
Show answer
Maach is the folk theatre of Malwa, played through the night on a raised wooden platform, which is what the name itself means.
Read the full explanation →Baba Alauddin Khan, the sarod master who taught Ravi Shankar, belonged to which gharana named after a town of Madhya Pradesh?
- A.Maihar gharana
- B.Gwalior gharana
- C.Indore gharana
- D.Kirana gharana
Show answer
Baba Alauddin Khan spent the greater part of his life as court musician at Maihar in the east of the state and gave his name to the Maihar gharana of instrumental music.
Read the full explanation →Which is the oldest gharana of khayal singing in Hindustani classical music?
- A.Gwalior gharana
- B.Kirana gharana
- C.Agra gharana
- D.Jaipur-Atrauli gharana
Show answer
Gwalior had been a seat of music since the Tomar rulers patronised dhrupad, and when khayal took the place of dhrupad as the leading form the city produced the first of its gharanas.
Read the full explanation →Karma and Saila are the dances chiefly of which communities of Madhya Pradesh?
- A.Bhil and Bhilala
- B.Gond and Baiga
- C.Sahariya
- D.Korku
Show answer
Karma is danced by the Gond and Baiga of the eastern and southern districts after the harvest, men and women moving in a circle to the mandar drum, and Saila is the stick dance in which young men form rows and strike their sticks together as they move.
Read the full explanation →The Khajuraho Dance Festival, devoted to Indian classical dance, is held in which district?
- A.Chhatarpur
- B.Satna
- C.Rewa
- D.Sagar
Show answer
The temples of Khajuraho stand in Chhatarpur district in the Bundelkhand region, and the dance festival is held among them in February, when dancers of Bharatanatyam, Odissi, Kathak, Kuchipudi and the other classical forms perform against the temple walls.
Read the full explanation →Frequently Asked Questions
Which is the most famous folk dance of Madhya Pradesh?
Rai of the Bundelkhand region, danced by a woman of the Bedni community to the beat of the nagariya and mridang, is the best known and the fastest of the state's dances.
Where and why is the Tansen Samaroh held?
It is held every winter at Behat and Gwalior, at the tomb of Tansen, in memory of the dhrupad singer of Akbar's court, and the National Tansen Samman is conferred there.
What was the original name of Tansen and where was he born?
He was born Ramtanu Pandey at Behat near Gwalior, learnt from Swami Haridas and Muhammad Ghaus, and later became one of the navratna of Akbar's court.
Which is the oldest gharana of khayal singing?
The Gwalior gharana of Madhya Pradesh, from which the later khayal gharanas of Hindustani music developed.
Which dances are performed by the Gond and Baiga communities?
Karma, danced after the harvest, and Saila, a stick dance in which young men move in rows, are the best known dances of these communities.
Sources
- Classical and folk performing arts of India — Sangeet Natak Akademi
- Dance, music and theatre forms of India — Ministry of Culture, Government of India
- Fairs, festivals and folk arts of Madhya Pradesh — Madhya Pradesh Tourism Board
- Culture, academies and state honours — Government of Madhya Pradesh





