Books & Authors Mixed Quiz: Set 19

The Mimamsa Sutra, also called the Purva Mimamsa Sutra, was composed by the sage Jaimini and is the founding text of the Mimamsa school, one of the six orthodox schools of Indian philosophy; it is concerned with the correct interpretation of the ritual portions of the Vedas and with the…

The prize of 1913 made him the first Asian to win a Nobel Prize in any field.

It became a marching song of the freedom movement and is played by the armed forces at ceremonial parades.

Girish Karnad wrote Yayati in 1961, his first play, which takes from the Mahabharata the story of the old king who asks his son to trade youth with him, and Tughlaq in 1964, on the reign of Muhammad bin Tughlaq.

Kalhana composed the Rajatarangini, the river of kings, in Sanskrit verse in the twelfth century. It traces the rulers of Kashmir in sequence, weighs inscriptions, coins and earlier chronicles as evidence, and is therefore usually described as the first work of Indian historical writing in the modern sense.

Abu Rayhan al-Biruni was born in Khwarezm, a region that lies in modern Uzbekistan, and came to India in the eleventh century in the train of Mahmud of Ghazni.

Gopal Krishna Gokhale is said to have given her the title Bharat Kokila, the Nightingale of India. She was also the first woman to be president of the Indian National Congress, at the Kanpur session of 1925, and the first woman governor of an Indian state, in the United Provinces.

His other works include the Qiran-us-Sadain on the meeting of Bughra Khan and Kaiqubad, the Miftah-ul-Futuh on Jalaluddin Khalji, the Nuh Sipihr in praise of India, and the Tughlaq Nama.

Kautilya, also known as Chanakya and Vishnugupta, is credited with the Arthashastra, a manual in fifteen books covering administration, taxation, law, espionage, diplomacy and war, and traditionally linked with the rise of Chandragupta Maurya.

Jean-Jacques Rousseau wrote in The Social Contract (1762) that the English people are free only during the election of members of Parliament, and are slaves once the election is over.

He deliberately chose the spoken language over Sanskrit so that the story of Rama could reach ordinary listeners, and the poem is still recited and staged across the Hindi belt.

He published Anandamath in 1882, and the song Vande Mataram that appears in it became the rallying cry of the freedom movement and was adopted as the national song of India; his other well-known works are Durgeshnandini, Kapalkundala and Devi Chaudhurani.

Arthur Llewellyn Basham, a British historian of ancient India, published The Wonder That Was India in 1954 as a survey of Indian civilisation before the coming of the Muslims, and it remains one of the most widely read introductions to the subject; a companion second volume covering the medieval period…

This is one of the striking facts of Mughal cultural history: the emperor who withdrew court patronage from musical performance presided over a reign in which the largest number of Persian treatises on Indian classical music was written, as scholars turned from the court to the book.

The award was instituted by the Bharatiya Jnanpith in 1961 and is the senior literary honour given for a body of work in any of the languages recognised by the Constitution.

The novel follows a poor student in St Petersburg who kills a pawnbroker, convinces himself that extraordinary men stand above the law, and is then broken by his own conscience; Dostoevsky also wrote The Idiot and The Brothers Karamazov.

Banabhatta was the court poet of Harshavardhana of Kanauj in the seventh century, and his Harshacharita is a biography in ornate Sanskrit prose that is a major source for the reign, alongside the account left by the Chinese traveller Hiuen Tsang.

Dinkar is the poet of Rashmirathi, a retelling of the Mahabharata from Karna's side, and of Kurukshetra and Parashuram ki Pratiksha, and he is often called a poet of rebellion.

The Natyashastra, attributed to the sage Bharata, is the foundational text of Indian performing arts, covering the stage, acting, gesture, costume, music and above all the theory of rasa, the aesthetic flavours a performance should produce; every classical dance form traces its grammar to it.

His play takes up the later life of Rama, after the events of the Ramayana.